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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country in the world by area and the most populous country. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Mayabazar (transl. Market of illusions) is a 1957 Indian epic Hindu mythological film directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil, with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which is based on the characters of the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter Sasirekha (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version. The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddi and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films. The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. One of those songs, Lahiri Lahiri, was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley. (Full article...)
    Mayabazar (transl. Market of illusions) is a 1957 Indian epic Hindu mythological film directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil, with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which is based on the characters of the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter Sasirekha (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version.

    The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddi and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films. The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. One of those songs, Lahiri Lahiri, was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley. (Full article...)
  • Image 2 Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power. Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
    Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India

    A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.

    Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
  • Image 3 Indian roller, Gujarat The Indian roller (Coracias benghalensis) is a bird of the family Coraciidae. It is 30–34 cm (12–13 in) long with a wingspan of 65–74 cm (26–29 in) and weighs 166–176 g (5.9–6.2 oz). The face and throat are pinkish, the head and back are brown, with blue on the rump and contrasting light and dark blue on the wings and tail. The bright blue markings on the wing are prominent in flight. The sexes are similar in appearance. Two subspecies are recognised. The Indian roller occurs widely from West Asia to the Indian subcontinent. Often found perched on roadside trees and wires, it is common in open grassland and scrub forest habitats, and has adapted well to human-modified landscapes. It mainly feeds on insects, especially beetles. The species is best known for the aerobatic displays of males during the breeding season. Adult males and females form pair bonds and raise the young together. The female lays 3–5 eggs in a cavity or crevice, which is lined with a thin mat of straw or feathers. The roller is the state bird of three Indian states. It is listed as a species of least concern on the IUCN Red List. (Full article...)

    Indian roller, Gujarat

    The Indian roller (Coracias benghalensis) is a bird of the family Coraciidae. It is 30–34 cm (12–13 in) long with a wingspan of 65–74 cm (26–29 in) and weighs 166–176 g (5.9–6.2 oz). The face and throat are pinkish, the head and back are brown, with blue on the rump and contrasting light and dark blue on the wings and tail. The bright blue markings on the wing are prominent in flight. The sexes are similar in appearance. Two subspecies are recognised.

    The Indian roller occurs widely from West Asia to the Indian subcontinent. Often found perched on roadside trees and wires, it is common in open grassland and scrub forest habitats, and has adapted well to human-modified landscapes. It mainly feeds on insects, especially beetles. The species is best known for the aerobatic displays of males during the breeding season. Adult males and females form pair bonds and raise the young together. The female lays 3–5 eggs in a cavity or crevice, which is lined with a thin mat of straw or feathers. The roller is the state bird of three Indian states. It is listed as a species of least concern on the IUCN Red List. (Full article...)
  • Image 4 Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects. Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...)
    Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects.

    Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...)
  • Image 5 Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai. Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
    Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by K. Muralitharan, V. Swaminathan and G. Venugopal under the banner of Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. The film tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai.

    Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
  • Image 6 Portrait by Rudolf Swoboda, 1888 Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time. Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)

    Portrait by Rudolf Swoboda, 1888

    Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time.

    Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)
  • Image 7 Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
    Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son.

    The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
  • Image 8 Ahalya by Raja Ravi Varma (1848–1906) In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama. Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)

    Ahalya by Raja Ravi Varma (1848–1906)

    In Hinduism, Ahalya (Sanskrit: अहल्या, IAST: Ahalyā) also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama.

    Created by the god Brahma as the most beautiful woman, Ahalya was married to the much older Gautama. In the earliest full narrative, when Indra comes disguised as her husband, Ahalya sees through his disguise but nevertheless accepts his advances. Later sources often absolve her of all guilt, describing how she falls prey to Indra's trickery. In all narratives, Ahalya and Indra are cursed by Gautama. The curse varies from text to text, but almost all versions describe Rama as the eventual agent of her liberation and redemption. Although early texts describe how Ahalya must atone by undergoing severe penance while remaining invisible to the world and how she is purified by offering Rama hospitality, in the popular retelling developed over time, Ahalya is cursed to become a stone and regains her human form after she is brushed by Rama's foot. (Full article...)
  • Image 9 Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love". Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
    Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".

    Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
  • Image 10 Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾaːpːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable city, the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011. Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Mutharaiyars, Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)

    Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾaːpːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable city, the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011.

    Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Mutharaiyars, Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)
  • Image 11 Reginald Heber (21 April 1783 – 3 April 1826) was an English Anglican bishop, a man of letters, and hymn-writer. After 16 years as a country parson, he served as Bishop of Calcutta until his death at the age of 42. The son of a rich landowner and cleric, Heber gained fame at the University of Oxford as a poet. After graduation he made an extended tour of Scandinavia, Russia and Central Europe. Ordained in 1807, he took over his father's old parish, Hodnet, Shropshire. He also wrote hymns and general literature, including a study of the works of the 17th-century cleric Jeremy Taylor. He was consecrated Bishop of Calcutta in October 1823. He travelled widely and worked to improve the spiritual and general living conditions of his flock. Arduous duties, a hostile climate and poor health led to his collapse and death after less than three years in India. Memorials were erected there and in St Paul's Cathedral, London. A collection of his hymns appeared soon after his death. "Holy, Holy, Holy! Lord God Almighty" remains popular for Trinity Sunday, while "Brightest and Best" is frequently sung during Epiphany. (Full article...)

    Reginald Heber (21 April 1783 – 3 April 1826) was an English Anglican bishop, a man of letters, and hymn-writer. After 16 years as a country parson, he served as Bishop of Calcutta until his death at the age of 42. The son of a rich landowner and cleric, Heber gained fame at the University of Oxford as a poet. After graduation he made an extended tour of Scandinavia, Russia and Central Europe. Ordained in 1807, he took over his father's old parish, Hodnet, Shropshire. He also wrote hymns and general literature, including a study of the works of the 17th-century cleric Jeremy Taylor.

    He was consecrated Bishop of Calcutta in October 1823. He travelled widely and worked to improve the spiritual and general living conditions of his flock. Arduous duties, a hostile climate and poor health led to his collapse and death after less than three years in India. Memorials were erected there and in St Paul's Cathedral, London. A collection of his hymns appeared soon after his death. "Holy, Holy, Holy! Lord God Almighty" remains popular for Trinity Sunday, while "Brightest and Best" is frequently sung during Epiphany. (Full article...)
  • Image 12 Margarita with a Straw is a 2014 Indian Hindi-language drama film directed by Shonali Bose. It stars Kalki Koechlin as an Indian teenager with cerebral palsy who relocates to America for her undergraduate education and comes of age following her complex relationship with a blind girl, played by Sayani Gupta. Revathi, Kuljeet Singh, and William Moseley play supporting roles. Produced by Bose in partnership with Viacom18 Motion Pictures, Margarita with a Straw was co-written by Bose and Nilesh Maniyar. The film deals with the challenging concepts of sexuality, inclusion, self-love, and self-acceptance. Bose conceived the idea for the film in January 2011 during a conversation with Malini Chib, her cousin and a disability rights activist, about the latter's desire to have a normal sex life. Inspired by Chib's story, Bose wrote the first draft of the film's script. After winning a Sundance Mahindra Global Filmmaker Award for the draft, she modified the script to reflect her own perspective, incorporating several personal experiences into the narrative. Bose completed the screenplay with co-writer Maniyar and the advisory council of the Sundance Institute. (Full article...)
    Margarita with a Straw is a 2014 Indian Hindi-language drama film directed by Shonali Bose. It stars Kalki Koechlin as an Indian teenager with cerebral palsy who relocates to America for her undergraduate education and comes of age following her complex relationship with a blind girl, played by Sayani Gupta. Revathi, Kuljeet Singh, and William Moseley play supporting roles. Produced by Bose in partnership with Viacom18 Motion Pictures, Margarita with a Straw was co-written by Bose and Nilesh Maniyar. The film deals with the challenging concepts of sexuality, inclusion, self-love, and self-acceptance.

    Bose conceived the idea for the film in January 2011 during a conversation with Malini Chib, her cousin and a disability rights activist, about the latter's desire to have a normal sex life. Inspired by Chib's story, Bose wrote the first draft of the film's script. After winning a Sundance Mahindra Global Filmmaker Award for the draft, she modified the script to reflect her own perspective, incorporating several personal experiences into the narrative. Bose completed the screenplay with co-writer Maniyar and the advisory council of the Sundance Institute. (Full article...)
  • Image 13 Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language psychological drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder. Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...)
    Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language psychological drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder.

    Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...)
  • Image 14 Vidya in 2024 Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014. Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)

    Vidya in 2024

    Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014.

    Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)
  • Image 15 A Bengal tigress in Kanha Tiger Reserve, India The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands. Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...)

    A Bengal tigress in Kanha Tiger Reserve, India

    The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands.

    Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...)
  • Image 16 Cyclone 04B at peak intensity near landfall The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day. The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)

    Cyclone 04B at peak intensity near landfall

    The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day.

    The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)
  • Image 17 A female African bush elephant in Mikumi National Park, Tanzania Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)

    A female African bush elephant in Mikumi National Park, Tanzania

    Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs.

    Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)
  • Image 18 The central image at Vithoba Temple in Pandharpur Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai. Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)

    The central image at Vithoba Temple in Pandharpur

    Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.

    Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)
  • Image 19 Chandralekha (also spelt Chandraleka) is a 1948 Indian historical adventure film produced and directed by S. S. Vasan of Gemini Studios. Starring T. R. Rajakumari, M. K. Radha and Ranjan, the film follows two brothers (Veerasimhan and Sasankan) who fight over ruling their father's kingdom and marrying a village dancer, Chandralekha. Development began during the early 1940s when, after two successive box-office hits, Vasan announced that his next film would be entitled Chandralekha. However, when he launched an advertising campaign for the film he only had the name of the heroine from a storyline he had rejected. Veppathur Kittoo (one of Vasan's storyboard artists) developed a story based on a chapter of George W. M. Reynolds' novel, Robert Macaire: or, The French bandit in England. Original director T. G. Raghavachari left the film more than halfway through because of disagreements with Vasan, who took over in his directorial debut. (Full article...)
    Chandralekha (also spelt Chandraleka) is a 1948 Indian historical adventure film produced and directed by S. S. Vasan of Gemini Studios. Starring T. R. Rajakumari, M. K. Radha and Ranjan, the film follows two brothers (Veerasimhan and Sasankan) who fight over ruling their father's kingdom and marrying a village dancer, Chandralekha.

    Development began during the early 1940s when, after two successive box-office hits, Vasan announced that his next film would be entitled Chandralekha. However, when he launched an advertising campaign for the film he only had the name of the heroine from a storyline he had rejected. Veppathur Kittoo (one of Vasan's storyboard artists) developed a story based on a chapter of George W. M. Reynolds' novel, Robert Macaire: or, The French bandit in England. Original director T. G. Raghavachari left the film more than halfway through because of disagreements with Vasan, who took over in his directorial debut. (Full article...)
  • Image 20 Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial. Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
    Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial.

    Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
  • Image 21 In Kruger National Park, South Africa The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa. Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)

    In Kruger National Park, South Africa

    The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa.

    Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
  • Image 22 Padukone at the 2018 Cannes Film Festival Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. She features in listings of the nation's most popular personalities; Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022. Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)

    Padukone at the 2018 Cannes Film Festival

    Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. She features in listings of the nation's most popular personalities; Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022.

    Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)
  • Image 23 Kapadia in 2018 Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses. While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)

    Kapadia in 2018

    Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses.

    While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)
  • Image 24 Jinnah in 1945 Muhammad Ali Jinnah (born Mahomedali Jinnahbhai; 25 December 1876 – 11 September 1948) was a barrister, politician, and the founder of Pakistan. Jinnah served as the leader of the All-India Muslim League from 1913 until the inception of Pakistan on 14 August 1947 and then as the Republic of Pakistan's first governor-general until his death. Born at Wazir Mansion in Karachi, Jinnah was trained as a barrister at Lincoln's Inn in London, England. Upon his return to India, he enrolled at the Bombay High Court, and took an interest in national politics, which eventually replaced his legal practice. Jinnah rose to prominence in the Indian National Congress in the first two decades of the 20th century. In these early years of his political career, Jinnah advocated Hindu–Muslim unity, helping to shape the 1916 Lucknow Pact between the Congress and the All-India Muslim League, in which Jinnah had also become prominent. Jinnah became a key leader in the All-India Home Rule League, and proposed a fourteen-point constitutional reform plan to safeguard the political rights of Muslims in the Indian subcontinent. In 1920, however, Jinnah resigned from the Congress when it agreed to follow a campaign of satyagraha, which he regarded as political anarchy. (Full article...)

    Jinnah in 1945

    Muhammad Ali Jinnah (born Mahomedali Jinnahbhai; 25 December 1876 – 11 September 1948) was a barrister, politician, and the founder of Pakistan. Jinnah served as the leader of the All-India Muslim League from 1913 until the inception of Pakistan on 14 August 1947 and then as the Republic of Pakistan's first governor-general until his death.

    Born at Wazir Mansion in Karachi, Jinnah was trained as a barrister at Lincoln's Inn in London, England. Upon his return to India, he enrolled at the Bombay High Court, and took an interest in national politics, which eventually replaced his legal practice. Jinnah rose to prominence in the Indian National Congress in the first two decades of the 20th century. In these early years of his political career, Jinnah advocated Hindu–Muslim unity, helping to shape the 1916 Lucknow Pact between the Congress and the All-India Muslim League, in which Jinnah had also become prominent. Jinnah became a key leader in the All-India Home Rule League, and proposed a fourteen-point constitutional reform plan to safeguard the political rights of Muslims in the Indian subcontinent. In 1920, however, Jinnah resigned from the Congress when it agreed to follow a campaign of satyagraha, which he regarded as political anarchy. (Full article...)
  • Image 25 Kapoor Khan in 2023 Kareena Kapoor Khan (pronounced [kəˈriːna kəˈpuːr xɑːn]; née Kapoor; born 21 September 1980) is an Indian actress. A prolific leading lady of Hindi cinema since 2000, she is noted for her roles in a range of film genres—from romantic comedies to crime dramas. Kapoor is the recipient of several awards, including six Filmfare Awards, and as of 2024, is one of Hindi cinema's highest-paid actresses. Born into the Kapoor family, she is the daughter of actors Babita and Randhir Kapoor, and the younger sister of actress Karisma Kapoor. After making her acting debut in 2000 in Refugee, Kapoor established herself the following year with several roles, including in the top-grossing drama Kabhi Khushi Kabhie Gham.... This was followed by a series of commercial failures and negative reviews for her repetitive roles. An against-type performance as a sex worker in the 2004 drama Chameli marked a turning point in her career. She earned critical recognition for her portrayal of a riot victim in the 2004 drama Dev and a character based on Desdemona in the 2006 crime film Omkara. Her performance as a loquacious woman in the romantic comedy Jab We Met (2007) earned her the Filmfare Award for Best Actress. (Full article...)

    Kapoor Khan in 2023

    Kareena Kapoor Khan (pronounced [kəˈriːna kəˈpuːr xɑːn]; née Kapoor; born 21 September 1980) is an Indian actress. A prolific leading lady of Hindi cinema since 2000, she is noted for her roles in a range of film genres—from romantic comedies to crime dramas. Kapoor is the recipient of several awards, including six Filmfare Awards, and as of 2024, is one of Hindi cinema's highest-paid actresses.

    Born into the Kapoor family, she is the daughter of actors Babita and Randhir Kapoor, and the younger sister of actress Karisma Kapoor. After making her acting debut in 2000 in Refugee, Kapoor established herself the following year with several roles, including in the top-grossing drama Kabhi Khushi Kabhie Gham.... This was followed by a series of commercial failures and negative reviews for her repetitive roles. An against-type performance as a sex worker in the 2004 drama Chameli marked a turning point in her career. She earned critical recognition for her portrayal of a riot victim in the 2004 drama Dev and a character based on Desdemona in the 2006 crime film Omkara. Her performance as a loquacious woman in the romantic comedy Jab We Met (2007) earned her the Filmfare Award for Best Actress. (Full article...)
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  • Image 1 The Asiatic cheetah (Acinonyx jubatus venaticus) is a critically endangered cheetah subspecies currently only surviving in Iran. Its range once spread from the Arabian Peninsula and the Near East to the Caspian region, Transcaucasus, Kyzylkum Desert and northern South Asia, but was extirpated in these regions during the 20th century. The Asiatic cheetah diverged from the cheetah population in Africa between 32,000 and 67,000 years ago. The Asiatic cheetah survives in protected areas in the eastern-central arid region of Iran, where the human population density is very low. Between December 2011 and November 2013, 84 individuals were sighted in 14 different protected areas, and 82 individuals were identified from camera trap photographs. In December 2017, fewer than 50 individuals were thought to be remaining in three subpopulations that are scattered over 140,000 km2 (54,000 sq mi) in Iran's central plateau. In January 2022, the Iranian Department of Environment estimated that there were only 12 Asiatic cheetahs comprising nine males and three females left in the country. In 2023, a member of the Iranian Cheetah Society referred to 30 to 40 individuals living in Iran. (Full article...)

    The Asiatic cheetah (Acinonyx jubatus venaticus) is a critically endangered cheetah subspecies currently only surviving in Iran. Its range once spread from the Arabian Peninsula and the Near East to the Caspian region, Transcaucasus, Kyzylkum Desert and northern South Asia, but was extirpated in these regions during the 20th century. The Asiatic cheetah diverged from the cheetah population in Africa between 32,000 and 67,000 years ago.

    The Asiatic cheetah survives in protected areas in the eastern-central arid region of Iran, where the human population density is very low. Between December 2011 and November 2013, 84 individuals were sighted in 14 different protected areas, and 82 individuals were identified from camera trap photographs. In December 2017, fewer than 50 individuals were thought to be remaining in three subpopulations that are scattered over 140,000 km2 (54,000 sq mi) in Iran's central plateau. In January 2022, the Iranian Department of Environment estimated that there were only 12 Asiatic cheetahs comprising nine males and three females left in the country. In 2023, a member of the Iranian Cheetah Society referred to 30 to 40 individuals living in Iran. (Full article...)
  • Image 2 Reddy in January 1977 In this Telugu name, the surname is Neelam. Neelam Sanjiva Reddy (pronunciation; 19 May 1913 – 1 June 1996) was an Indian politician who served as the sixth president of India, serving from 1977 to 1982. Beginning a long political career with the Indian National Congress Party in the independence movement, he went on to hold several key offices in independent India – as Deputy Chief minister of Andhra state and the first chief minister of Andhra Pradesh, a two-time Speaker of the Lok Sabha and a Union Minister— before becoming the Indian president. Born in present-day Anantapur district, Andhra Pradesh, Reddy completed his schooling at Adayar and joined the Government Arts College at Anantapur. He quit to become an Indian independence activist and was jailed for participating in the Quit India Movement. He was elected to the Madras Legislative Assembly in 1946 as a Congress party representative. Reddy became the deputy chief minister of Andhra State in 1953 and the first Chief Minister of Andhra Pradesh in 1956. He was a union cabinet minister under Prime Ministers Lal Bahadur Shastri and Indira Gandhi from 1964 to 1967 and Lok Sabha Speaker from 1967 to 1969. He later retired from active politics but returned in 1975, responding to Jayaprakash Narayan's call for "Total Revolution" against the Indira Gandhi Government. (Full article...)

    Reddy in January 1977
    In this Telugu name, the surname is Neelam.
    Neelam Sanjiva Reddy (pronunciation; 19 May 1913 – 1 June 1996) was an Indian politician who served as the sixth president of India, serving from 1977 to 1982. Beginning a long political career with the Indian National Congress Party in the independence movement, he went on to hold several key offices in independent India – as Deputy Chief minister of Andhra state and the first chief minister of Andhra Pradesh, a two-time Speaker of the Lok Sabha and a Union Minister— before becoming the Indian president.

    Born in present-day Anantapur district, Andhra Pradesh, Reddy completed his schooling at Adayar and joined the Government Arts College at Anantapur. He quit to become an Indian independence activist and was jailed for participating in the Quit India Movement. He was elected to the Madras Legislative Assembly in 1946 as a Congress party representative. Reddy became the deputy chief minister of Andhra State in 1953 and the first Chief Minister of Andhra Pradesh in 1956. He was a union cabinet minister under Prime Ministers Lal Bahadur Shastri and Indira Gandhi from 1964 to 1967 and Lok Sabha Speaker from 1967 to 1969. He later retired from active politics but returned in 1975, responding to Jayaprakash Narayan's call for "Total Revolution" against the Indira Gandhi Government. (Full article...)
  • Image 3 INS Kursura (S20) underway INS Kursura underway INS Kursura (S20) was a Kalvari-class (variant of the Foxtrot-class) diesel-electric submarine of the Indian Navy. It was India's fourth submarine. Kursura was commissioned on 18 December 1969 and was decommissioned on 27 February 2001 after 31 years of service. It participated in the Indo-Pakistani War of 1971, where it played a key role in patrol missions. It later participated in naval exercises with other nations and made many goodwill visits to other countries. After decommissioning, It was dedicated to the Nation by the Chief minister N. Chandrababu Naidu on 9 August 2002 and was preserved as a museum for public access from 24 August 2002 making its final journey to Visakhapatnam on RK Beach. Kursura has the distinction of being one of the very few submarine museums to retain originality and has been called a "must-visit destination" of Visakhapatnam. Despite being a decommissioned submarine, she still receives the navy's "Dressing Ship" honour, which is usually awarded only to active ships. (Full article...)

    INS Kursura (S20) underway
    INS Kursura (S20) underway
    INS Kursura underway

    INS Kursura (S20) was a Kalvari-class (variant of the Foxtrot-class) diesel-electric submarine of the Indian Navy. It was India's fourth submarine. Kursura was commissioned on 18 December 1969 and was decommissioned on 27 February 2001 after 31 years of service. It participated in the Indo-Pakistani War of 1971, where it played a key role in patrol missions. It later participated in naval exercises with other nations and made many goodwill visits to other countries.

    After decommissioning, It was dedicated to the Nation by the Chief minister N. Chandrababu Naidu on 9 August 2002 and was preserved as a museum for public access from 24 August 2002 making its final journey to Visakhapatnam on RK Beach. Kursura has the distinction of being one of the very few submarine museums to retain originality and has been called a "must-visit destination" of Visakhapatnam. Despite being a decommissioned submarine, she still receives the navy's "Dressing Ship" honour, which is usually awarded only to active ships. (Full article...)
  • Image 4 Koi... Mil Gaya (Hindi pronunciation: [ˈkoːi mɪl ɡəjaː] transl. Someone...Is Found) is a 2003 Indian science fiction-drama film directed and produced by Rakesh Roshan. It stars Hrithik Roshan, Preity Zinta and Rekha. In addition to writing the story, Rakesh Roshan also wrote the screenplay with Sachin Bhowmick, Honey Irani, and Robin Bhatt. Koi... Mil Gaya focuses on Rohit Mehra, a developmentally disabled man who contacts an extraterrestrial being later named Jadoo with his late father Sanjay's supercomputer. The film follows his relationship with Nisha, Rohit's friend, who falls in love with him. After the release of the commercially and critically successful romantic film Kaho Naa... Pyaar Hai (2000), Roshan wanted to work again with his son Hrithik on a different type of film. In June 2001, during the 2nd IIFA Awards, he announced the second film when he received the Best Director award for Kaho Naa... Pyaar Hai. Principal photography was shot by Ravi K. Chandran and Sameer Arya from November 2001 to March 2003 on sets built by Sharmishta Roy in Canada, India, and New Zealand. Roshan's brother, Rajesh Roshan, composed the film's soundtrack and background score. American artists Mark Clobe and Craig Mumma spent ₹4 crore (US$480,000) on its visual effects. (Full article...)
    Koi... Mil Gaya (Hindi pronunciation: [ˈkoːi mɪl ɡəjaː] transl. Someone...Is Found) is a 2003 Indian science fiction-drama film directed and produced by Rakesh Roshan. It stars Hrithik Roshan, Preity Zinta and Rekha. In addition to writing the story, Rakesh Roshan also wrote the screenplay with Sachin Bhowmick, Honey Irani, and Robin Bhatt. Koi... Mil Gaya focuses on Rohit Mehra, a developmentally disabled man who contacts an extraterrestrial being later named Jadoo with his late father Sanjay's supercomputer. The film follows his relationship with Nisha, Rohit's friend, who falls in love with him.

    After the release of the commercially and critically successful romantic film Kaho Naa... Pyaar Hai (2000), Roshan wanted to work again with his son Hrithik on a different type of film. In June 2001, during the 2nd IIFA Awards, he announced the second film when he received the Best Director award for Kaho Naa... Pyaar Hai. Principal photography was shot by Ravi K. Chandran and Sameer Arya from November 2001 to March 2003 on sets built by Sharmishta Roy in Canada, India, and New Zealand. Roshan's brother, Rajesh Roshan, composed the film's soundtrack and background score. American artists Mark Clobe and Craig Mumma spent ₹4 crore (US$480,000) on its visual effects. (Full article...)
  • Image 5 The Alchon Huns, (Bactrian: αλχον(ν)ο Alkhon(n)o or αλχαν(ν)ο Alkhan(n)o) also known as the Alkhan, Alchono, Alxon, Alkhon, Alakhana, and Walxon, were a nomadic people who established states in Central Asia and South Asia during the 4th and 6th centuries CE. They were first mentioned as being located in Paropamisus, and later expanded south-east, into the Punjab and Central India, as far as Eran and Kausambi. The Alchon invasion of the Indian subcontinent eradicated the Kidarite Huns who had preceded them by about a century, and contributed to the fall of the Gupta Empire, in a sense bringing an end to Classical India. The invasion of India by the Huna peoples follows invasions of the subcontinent in the preceding centuries by the Yavana (Indo-Greeks), the Saka (Indo-Scythians), the Pahlava (Indo-Parthians), and the Kushana (Yuezhi). The Alchon Empire was the second of four major Huna states established in Central and South Asia. The Alchon were preceded by the Kidarites and succeeded by the Hephthalites in Bactria and the Nezak Huns in the Hindu Kush. The names of the Alchon kings are known from their extensive coinage, Buddhist accounts, and a number of commemorative inscriptions throughout the Indian subcontinent. (Full article...)

    The Alchon Huns, (Bactrian: αλχον(ν)ο Alkhon(n)o or αλχαν(ν)ο Alkhan(n)o) also known as the Alkhan, Alchono, Alxon, Alkhon, Alakhana, and Walxon, were a nomadic people who established states in Central Asia and South Asia during the 4th and 6th centuries CE. They were first mentioned as being located in Paropamisus, and later expanded south-east, into the Punjab and Central India, as far as Eran and Kausambi. The Alchon invasion of the Indian subcontinent eradicated the Kidarite Huns who had preceded them by about a century, and contributed to the fall of the Gupta Empire, in a sense bringing an end to Classical India.

    The invasion of India by the Huna peoples follows invasions of the subcontinent in the preceding centuries by the Yavana (Indo-Greeks), the Saka (Indo-Scythians), the Pahlava (Indo-Parthians), and the Kushana (Yuezhi). The Alchon Empire was the second of four major Huna states established in Central and South Asia. The Alchon were preceded by the Kidarites and succeeded by the Hephthalites in Bactria and the Nezak Huns in the Hindu Kush. The names of the Alchon kings are known from their extensive coinage, Buddhist accounts, and a number of commemorative inscriptions throughout the Indian subcontinent. (Full article...)
  • Image 6 Erode Subramanian Raja Gopal (12 May 1936 – 15 November 2018) was an Indian condensed matter physicist, a former professor at the Indian Institute of Science and a former director of the National Physical Laboratory of India. Known for his research in condensed matter physics, Raja Gopal was an elected fellow of all the three major Indian science academies – the Indian National Science Academy, the National Academy of Sciences, India, and the Indian Academy of Sciences – as well as a member of the Institute of Physics. He was a former CSIR emeritus scientist, an alumnus of the University of Oxford and the author of three reference texts in condensed matter physics. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards, for his contributions to Physical Sciences in 1978. (Full article...)
    Erode Subramanian Raja Gopal (12 May 1936 – 15 November 2018) was an Indian condensed matter physicist, a former professor at the Indian Institute of Science and a former director of the National Physical Laboratory of India. Known for his research in condensed matter physics, Raja Gopal was an elected fellow of all the three major Indian science academies – the Indian National Science Academy, the National Academy of Sciences, India, and the Indian Academy of Sciences – as well as a member of the Institute of Physics. He was a former CSIR emeritus scientist, an alumnus of the University of Oxford and the author of three reference texts in condensed matter physics. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards, for his contributions to Physical Sciences in 1978. (Full article...)
  • Image 7 Rashmika promoting Goodbye in 2022 Rashmika Mandanna (/rəʃmɪkɑː mənðənɑː/; born 5 April 1996) is an Indian actress who works in Telugu, Kannada, Hindi and Tamil films. She has received four SIIMA Awards and a Filmfare Award. One of South India's highest-paid actresses, she was featured in Forbes India's 2024 list of "30 Under 30". Rashmika made her acting debut with the Kannada romantic comedy Kirik Party (2016), and found further commercial success in the action picture Anjani Putra and romance Chamak (both 2017). She then made her debut into Telugu cinema and had her breakthrough with the romantic comedy Geetha Govindam (2018), which earned her the Filmfare Critics Award for Best Actress – Telugu. She later played the leading lady in the Telugu action comedies Devadas (2018) and Sarileru Neekevvaru (2020), and the romance Bheeshma (2020). (Full article...)

    Rashmika promoting Goodbye in 2022

    Rashmika Mandanna (/rəʃmɪkɑː mənðənɑː/; born 5 April 1996) is an Indian actress who works in Telugu, Kannada, Hindi and Tamil films. She has received four SIIMA Awards and a Filmfare Award. One of South India's highest-paid actresses, she was featured in Forbes India's 2024 list of "30 Under 30".

    Rashmika made her acting debut with the Kannada romantic comedy Kirik Party (2016), and found further commercial success in the action picture Anjani Putra and romance Chamak (both 2017). She then made her debut into Telugu cinema and had her breakthrough with the romantic comedy Geetha Govindam (2018), which earned her the Filmfare Critics Award for Best Actress – Telugu. She later played the leading lady in the Telugu action comedies Devadas (2018) and Sarileru Neekevvaru (2020), and the romance Bheeshma (2020). (Full article...)
  • Image 8 Hum Aapke Dil Mein Rehte Hain (transl. I Live in Your Heart) is a 1999 Indian Hindi-language romantic drama film directed by Satish Kaushik and produced by D. Ramanaidu for his production company Suresh Productions. It stars Anil Kapoor and Kajol, with Anupam Kher, Shakti Kapoor and Parmeet Sethi in supporting roles. Written by Jainendra Jain, the film tells the story of Megha (Kajol), who enters into a one-year contract marriage with industrialist Vijay (Anil Kapoor). Hum Aapke Dil Mein Rehte Hain serves as a remake of Telugu-language film Pavitra Bandham (1996). With a budget of ₹6.25 crore (equivalent to ₹27 crore or US$3.2 million in 2023), principal photography took place in India and Switzerland and finished in December 1998. Kabir Lal served as the cinematographer, while E.M. Madhavan, Chaitanya Tanna and Marthand K. Venkatesh edited the film. The music was composed by Anu Malik and the lyrics were written by Sameer. (Full article...)
    Hum Aapke Dil Mein Rehte Hain (transl. I Live in Your Heart) is a 1999 Indian Hindi-language romantic drama film directed by Satish Kaushik and produced by D. Ramanaidu for his production company Suresh Productions. It stars Anil Kapoor and Kajol, with Anupam Kher, Shakti Kapoor and Parmeet Sethi in supporting roles. Written by Jainendra Jain, the film tells the story of Megha (Kajol), who enters into a one-year contract marriage with industrialist Vijay (Anil Kapoor).

    Hum Aapke Dil Mein Rehte Hain serves as a remake of Telugu-language film Pavitra Bandham (1996). With a budget of ₹6.25 crore (equivalent to ₹27 crore or US$3.2 million in 2023), principal photography took place in India and Switzerland and finished in December 1998. Kabir Lal served as the cinematographer, while E.M. Madhavan, Chaitanya Tanna and Marthand K. Venkatesh edited the film. The music was composed by Anu Malik and the lyrics were written by Sameer. (Full article...)
  • Image 9 Emily Margaret Tinne (née McCulloch; 21 August 1886 – 12 March 1966) was a British collector of clothes. Raised by a Presbyterian missionary to India, Tinne attended boarding school in England. She trained and worked as a teacher before marrying a wealthy medical doctor in 1910, at which point she started buying clothes from department stores in Bold Street, Liverpool, as well as having bespoke items made by a local dress maker. Her collection, which has been donated to the National Museums Liverpool, contains over 700 items and is the largest from an individual owned by a museum in the United Kingdom. The clothes are of high quality, with many items still unworn in their original tissue paper and boxes, the price tags and delivery information still attached. (Full article...)
    Emily Margaret Tinne (née McCulloch; 21 August 1886 – 12 March 1966) was a British collector of clothes. Raised by a Presbyterian missionary to India, Tinne attended boarding school in England. She trained and worked as a teacher before marrying a wealthy medical doctor in 1910, at which point she started buying clothes from department stores in Bold Street, Liverpool, as well as having bespoke items made by a local dress maker. Her collection, which has been donated to the National Museums Liverpool, contains over 700 items and is the largest from an individual owned by a museum in the United Kingdom. The clothes are of high quality, with many items still unworn in their original tissue paper and boxes, the price tags and delivery information still attached. (Full article...)
  • Image 10 Go First, founded as GoAir, was an Indian low-cost airline based in Mumbai, Maharashtra. It was owned by the Indian business conglomerate, Wadia Group. It commenced operations on 4 November 2005 and operated a fleet of Airbus A320 aircraft in an all economy configuration. In 2021, the airline planned to launch an IPO to raise ₹36 billion (US$430 million). In 2023, the airline faced problems with the availability of Pratt & Whitney engines used on its entire fleet of A320 aircraft and alleged that the issue was impacting its operations. Subsequently, the airline ceased operations on 3 May 2023 and filed an application for voluntary insolvency before the National Company Law Tribunal. (Full article...)
    Go First, founded as GoAir, was an Indian low-cost airline based in Mumbai, Maharashtra. It was owned by the Indian business conglomerate, Wadia Group. It commenced operations on 4 November 2005 and operated a fleet of Airbus A320 aircraft in an all economy configuration.

    In 2021, the airline planned to launch an IPO to raise ₹36 billion (US$430 million). In 2023, the airline faced problems with the availability of Pratt & Whitney engines used on its entire fleet of A320 aircraft and alleged that the issue was impacting its operations. Subsequently, the airline ceased operations on 3 May 2023 and filed an application for voluntary insolvency before the National Company Law Tribunal. (Full article...)
  • Image 11 Conversations with Waheeda Rehman is a biography by the producer of television documentaries and author Nasreen Munni Kabir, documenting Kabir's extensive conversations with the actress Waheeda Rehman about the actress' life and career. The biography details Rehman's birth in 1938 in Chingleput (present-day Chengalpattu), her 54-year-long film career, and her 1974 marriage to the actor Kamaljeet, with whom she has two children. It was published on 19 February 2014 by Penguin Books. The book generated positive reviews from book critics; most of the praise was directed towards the book's question-and-answer format, and Kabir's and Rehman's style in questioning and answering, respectively. In 1988, Kabir met Rehman while researching on Guru Dutt's life. She met Rehman—his then frequent collaborator—to find more information about him for a documentary releasing the next year, In Search of Guru Dutt. During these interactions, Kabir conceived the idea to write a book on the actress which later became Conversations with Waheeda Rehman. Over the next decades, Kabir tried persuading Rehman to get involved in the book but was always rejected since Rehman believed her life was not interesting enough. While Kabir was nearly about to give up of the project, Rehman finally agreed to do so in 2012. Writing took place in Bandra from December 2012 to November 2013. (Full article...)
    Conversations with Waheeda Rehman is a biography by the producer of television documentaries and author Nasreen Munni Kabir, documenting Kabir's extensive conversations with the actress Waheeda Rehman about the actress' life and career. The biography details Rehman's birth in 1938 in Chingleput (present-day Chengalpattu), her 54-year-long film career, and her 1974 marriage to the actor Kamaljeet, with whom she has two children. It was published on 19 February 2014 by Penguin Books. The book generated positive reviews from book critics; most of the praise was directed towards the book's question-and-answer format, and Kabir's and Rehman's style in questioning and answering, respectively.

    In 1988, Kabir met Rehman while researching on Guru Dutt's life. She met Rehman—his then frequent collaborator—to find more information about him for a documentary releasing the next year, In Search of Guru Dutt. During these interactions, Kabir conceived the idea to write a book on the actress which later became Conversations with Waheeda Rehman. Over the next decades, Kabir tried persuading Rehman to get involved in the book but was always rejected since Rehman believed her life was not interesting enough. While Kabir was nearly about to give up of the project, Rehman finally agreed to do so in 2012. Writing took place in Bandra from December 2012 to November 2013. (Full article...)
  • Image 12 Currency Building, viewed from B. B. D. Bagh (formerly the 'Dalhousie Square') The Currency Building is an early 19th-century building in the B. B. D. Bagh (Dalhousie Square) central business district of Kolkata in West Bengal, India. The building was originally built in 1833 to house the Calcutta branch of the Agra Bank. In 1868, it was converted for use by the Office of the Issue and Exchange of Government Currency, an office of the Controller of the Currency under the British Raj. From 1935 until 1937, the Reserve Bank of India (RBI) used the building as its first central office. The building remained in use, and was used at one time by the Central Public Works Department (CPWD) as a storehouse. Authorities decided to demolish it in 1994. From 1996 to 1998, the CPWD undertook demolition; but the building was saved from being completely demolished by the Indian National Trust for Art and Cultural Heritage (INTACH) and the Kolkata Municipal Corporation. In 2003, custodianship passed to the Archaeological Survey of India (ASI), which renovated the building from 2005 to 2019. On 11 January 2020, Prime Minister Narendra Modi formally dedicated and reopened it as a museum. (Full article...)

    Currency Building, viewed from B. B. D. Bagh (formerly the 'Dalhousie Square')

    The Currency Building is an early 19th-century building in the B. B. D. Bagh (Dalhousie Square) central business district of Kolkata in West Bengal, India. The building was originally built in 1833 to house the Calcutta branch of the Agra Bank. In 1868, it was converted for use by the Office of the Issue and Exchange of Government Currency, an office of the Controller of the Currency under the British Raj. From 1935 until 1937, the Reserve Bank of India (RBI) used the building as its first central office. The building remained in use, and was used at one time by the Central Public Works Department (CPWD) as a storehouse. Authorities decided to demolish it in 1994.

    From 1996 to 1998, the CPWD undertook demolition; but the building was saved from being completely demolished by the Indian National Trust for Art and Cultural Heritage (INTACH) and the Kolkata Municipal Corporation. In 2003, custodianship passed to the Archaeological Survey of India (ASI), which renovated the building from 2005 to 2019. On 11 January 2020, Prime Minister Narendra Modi formally dedicated and reopened it as a museum. (Full article...)
  • Image 13 Zindagi Na Milegi Dobara (transl. Life Will Never Come Again), is a 2011 Indian Hindi-language road comedy drama film directed by Zoya Akhtar and produced by Farhan Akhtar and Ritesh Sidhwani under Excel Entertainment. The film stars an ensemble cast of Hrithik Roshan, Abhay Deol, Farhan Akhtar, Katrina Kaif, and Kalki Koechlin. The film's story follows three childhood friends, Arjun, Kabir, and Imran, who reunite for a three-week road trip. They set off to Spain and meet Laila, who falls in love with Arjun and helps him overcome his compulsion to work. Kabir and his fiancée Natasha experience significant misunderstandings, while Imran wishes to meet his biological father, an artist. It was filmed in Spain, India and the United Kingdom on a budget of ₹45 crore (equivalent to ₹93 crore or US$11 million in 2023). The music and background score are composed by Shankar–Ehsaan–Loy with lyrics by Javed Akhtar. Zindagi Na Milegi Dobara was initially planned to release on 27 May 2011, but technical problems with post-production work led to the release being postponed to 24 June, and again to 15 July of that year. The film had a worldwide release on 1,800 screens and was a commercial success grossing ₹1.53 billion (US$18 million) and received critical acclaim for its direction, story, screenplay, music, dark humor, cinematography and performances of the ensemble cast. (Full article...)
    Zindagi Na Milegi Dobara (transl. Life Will Never Come Again), is a 2011 Indian Hindi-language road comedy drama film directed by Zoya Akhtar and produced by Farhan Akhtar and Ritesh Sidhwani under Excel Entertainment. The film stars an ensemble cast of Hrithik Roshan, Abhay Deol, Farhan Akhtar, Katrina Kaif, and Kalki Koechlin. The film's story follows three childhood friends, Arjun, Kabir, and Imran, who reunite for a three-week road trip. They set off to Spain and meet Laila, who falls in love with Arjun and helps him overcome his compulsion to work. Kabir and his fiancée Natasha experience significant misunderstandings, while Imran wishes to meet his biological father, an artist.

    It was filmed in Spain, India and the United Kingdom on a budget of ₹45 crore (equivalent to ₹93 crore or US$11 million in 2023). The music and background score are composed by Shankar–Ehsaan–Loy with lyrics by Javed Akhtar. Zindagi Na Milegi Dobara was initially planned to release on 27 May 2011, but technical problems with post-production work led to the release being postponed to 24 June, and again to 15 July of that year. The film had a worldwide release on 1,800 screens and was a commercial success grossing ₹1.53 billion (US$18 million) and received critical acclaim for its direction, story, screenplay, music, dark humor, cinematography and performances of the ensemble cast. (Full article...)
  • Image 14 Major General Wellesley (mounted) commanding his troops at the Battle of Assaye (J.C. Stadler after W. Heath) The Battle of Assaye was a major battle of the Second Anglo-Maratha War fought between the Maratha Confederacy and the British East India Company. It occurred on 23 September 1803 near Assaye in western India. An outnumbered Indian and British force, under the command of Major General Arthur Wellesley (who later became the Duke of Wellington), defeated the combined Maratha army of Daulatrao Scindia and the Bhonsle Raja of Berar. The battle was Wellesley's first major victory and the one he later described as his finest accomplishment on the battlefield, even more so than his more famous victories in the Peninsular War, and his defeat of Napoleon Bonaparte at the Battle of Waterloo. From August 1803, Wellesley's army and a separate force under the command of his subordinate, Colonel James Stevenson, pursued the Maratha cavalry-based army, which had threatened to raid south into Hyderabad. After several weeks of pursuit and countermarching, Scindia reinforced the combined Maratha army with his modernized infantry and artillery as the British forces closed in on his position. Wellesley received intelligence indicating the location of the Maratha encampment on 21 September and devised a plan whereby his two armies would converge on the Maratha position three days later. Wellesley's force, however, encountered the Maratha Army, under the command of Colonel Anthony Pohlmann, a German formerly in British service, 6 miles (9.7 km) farther south than he anticipated. Although outnumbered, Wellesley resolved to attack at once, believing that the Maratha army would soon move off. Both sides suffered heavily in the ensuing battle; Maratha artillery inflicted large numbers of casualties among Wellesley's troops, but the vast numbers of Maratha cavalry proved largely ineffective. A combination of bayonet and cavalry charges eventually forced the Maratha army to retreat, with the loss of most of their guns, but Wellesley's army was too battered and exhausted to pursue. (Full article...)

    Major General Wellesley (mounted) commanding his troops at the Battle of Assaye (J.C. Stadler after W. Heath)

    The Battle of Assaye was a major battle of the Second Anglo-Maratha War fought between the Maratha Confederacy and the British East India Company. It occurred on 23 September 1803 near Assaye in western India. An outnumbered Indian and British force, under the command of Major General Arthur Wellesley (who later became the Duke of Wellington), defeated the combined Maratha army of Daulatrao Scindia and the Bhonsle Raja of Berar. The battle was Wellesley's first major victory and the one he later described as his finest accomplishment on the battlefield, even more so than his more famous victories in the Peninsular War, and his defeat of Napoleon Bonaparte at the Battle of Waterloo.

    From August 1803, Wellesley's army and a separate force under the command of his subordinate, Colonel James Stevenson, pursued the Maratha cavalry-based army, which had threatened to raid south into Hyderabad. After several weeks of pursuit and countermarching, Scindia reinforced the combined Maratha army with his modernized infantry and artillery as the British forces closed in on his position. Wellesley received intelligence indicating the location of the Maratha encampment on 21 September and devised a plan whereby his two armies would converge on the Maratha position three days later. Wellesley's force, however, encountered the Maratha Army, under the command of Colonel Anthony Pohlmann, a German formerly in British service, 6 miles (9.7 km) farther south than he anticipated. Although outnumbered, Wellesley resolved to attack at once, believing that the Maratha army would soon move off. Both sides suffered heavily in the ensuing battle; Maratha artillery inflicted large numbers of casualties among Wellesley's troops, but the vast numbers of Maratha cavalry proved largely ineffective. A combination of bayonet and cavalry charges eventually forced the Maratha army to retreat, with the loss of most of their guns, but Wellesley's army was too battered and exhausted to pursue. (Full article...)
  • Image 15 Everard Richard Calthrop (3 March 1857 – 30 March 1927) was a British railway engineer and inventor. Calthrop was a notable promoter and builder of narrow-gauge railways, especially of 2 ft 6 in (762 mm) narrow gauge, and was especially prominent in India. His most notable achievement was the Barsi Light Railway, but he is best known in his home country for the Leek and Manifold Valley Light Railway. Calthrop has been described as a "railway genius". Later in life he took an interest in aviation, patenting some early designs for parachutes. (Full article...)
    Everard Richard Calthrop (3 March 1857 – 30 March 1927) was a British railway engineer and inventor. Calthrop was a notable promoter and builder of narrow-gauge railways, especially of 2 ft 6 in (762 mm) narrow gauge, and was especially prominent in India. His most notable achievement was the Barsi Light Railway, but he is best known in his home country for the Leek and Manifold Valley Light Railway. Calthrop has been described as a "railway genius". Later in life he took an interest in aviation, patenting some early designs for parachutes. (Full article...)
  • Image 16 The Bugun liocichla (Liocichla bugunorum) is a passerine bird species from the family Leiothrichidae closely related to the Emei Shan liocichla. First spotted in 1995 in Arunachal Pradesh, India, it was described as a new species in 2006. The description was made without the collection of a type specimen as they were too few to risk killing one. It is thought to be an endangered species, with a small population, and a very restricted distribution range within which commercial development threatens the habitat. (Full article...)

    The Bugun liocichla (Liocichla bugunorum) is a passerine bird species from the family Leiothrichidae closely related to the Emei Shan liocichla. First spotted in 1995 in Arunachal Pradesh, India, it was described as a new species in 2006. The description was made without the collection of a type specimen as they were too few to risk killing one. It is thought to be an endangered species, with a small population, and a very restricted distribution range within which commercial development threatens the habitat. (Full article...)
  • Image 17 Stephen Fuchs (April 30, 1908 – January 17, 2000) was an Austrian Catholic priest, missionary, and anthropologist who researched the ethnology and prehistory of India. After obtaining a Ph.D. in ethnology and Indology from the University of Vienna in 1950, Fuchs moved to India where he assisted in founding the Department of Anthropology at St. Xavier's College in Bombay. After a brief imprisonment for being misidentified as a German missionary by the British government during World War II, Fuchs founded the Indian Branch of the Anthropos Institute [de], later renamed the Institute of Indian Culture. Fuchs, because of health concerns, moved to Austria in 1996 and died at the age of 91 in Mödling, Austria. In his research, Fuchs conducted field studies in Central India. He focused particularly on the customs and beliefs of modern Indian tribes. Originally when he moved to India, he researched solely the social and cultural customs of modern-day central Indian tribes. After founding the Institute of Indian Culture, Fuchs researched the cultures of ancient India, back to India's original inhabitants. (Full article...)
    Stephen Fuchs (April 30, 1908 – January 17, 2000) was an Austrian Catholic priest, missionary, and anthropologist who researched the ethnology and prehistory of India. After obtaining a Ph.D. in ethnology and Indology from the University of Vienna in 1950, Fuchs moved to India where he assisted in founding the Department of Anthropology at St. Xavier's College in Bombay. After a brief imprisonment for being misidentified as a German missionary by the British government during World War II, Fuchs founded the Indian Branch of the Anthropos Institute [de], later renamed the Institute of Indian Culture. Fuchs, because of health concerns, moved to Austria in 1996 and died at the age of 91 in Mödling, Austria.

    In his research, Fuchs conducted field studies in Central India. He focused particularly on the customs and beliefs of modern Indian tribes. Originally when he moved to India, he researched solely the social and cultural customs of modern-day central Indian tribes. After founding the Institute of Indian Culture, Fuchs researched the cultures of ancient India, back to India's original inhabitants. (Full article...)
  • Image 18 Theatrical release poster Alam Ara (transl. Ornament of the World) is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves around a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a fakir (Muhammad Wazir Khan) tells the king that the former wife will give birth to a boy, later named Qamar (Master Vithal), but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the senapati Adil (Prithviraj Kapoor), leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara (Zubeida). Irani was inspired to make Alam Ara after watching the 1929 American part-talkie Show Boat. The story was adapted from the Bombay-based dramatist Joseph David's play of the same name. Made on a budget of ₹40,000 (equivalent to ₹12 million or US$150,000 in 2023), principal photography was handled by Adi M. Irani within four months in Bombay. Because the studio was located near a railway track, it was filmed mostly during the nighttime to avoid noise from the active trains. Following filming, Ardeshir Irani finished the sound recording using the single-system recording. Firozshah Mistry and B. Irani served as the music directors. (Full article...)

    Theatrical release poster

    Alam Ara (transl. Ornament of the World) is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves around a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a fakir (Muhammad Wazir Khan) tells the king that the former wife will give birth to a boy, later named Qamar (Master Vithal), but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the senapati Adil (Prithviraj Kapoor), leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara (Zubeida).

    Irani was inspired to make Alam Ara after watching the 1929 American part-talkie Show Boat. The story was adapted from the Bombay-based dramatist Joseph David's play of the same name. Made on a budget of ₹40,000 (equivalent to ₹12 million or US$150,000 in 2023), principal photography was handled by Adi M. Irani within four months in Bombay. Because the studio was located near a railway track, it was filmed mostly during the nighttime to avoid noise from the active trains. Following filming, Ardeshir Irani finished the sound recording using the single-system recording. Firozshah Mistry and B. Irani served as the music directors. (Full article...)
  • Image 19 rameless (Full article...)
    rameless (Full article...)
  • Image 20 16 Vayathinile (transl. At Age 16; read as Pathinaaru Vayathinile) is a 1977 Indian Tamil-language romantic drama film co-written and directed by Bharathirajaa in his directorial debut. The film stars Kamal Haasan, Sridevi, and Rajinikanth, with Gandhimathi, Sathyajith and Goundamani in supporting roles. It focuses on the strengths and vulnerabilities of Mayil (Sridevi), a 16-year-old schoolgirl, and the challenges she faces and overcomes. The film was originally titled Mayil, and set to be funded by the National Film Development Corporation of India. When they backed out, it was picked up by S. A. Rajkannu who produced it under his banner Shri Amman Creations, and eventually retitled. 16 Vayathinile became the first Tamil film to be shot predominantly outdoors; Tamil films were primarily filmed in Madras studios. Its soundtrack album and background score were composed by Ilaiyaraaja, with cinematography by P. S. Nivas. P. Kalaimani wrote the film's dialogue. (Full article...)
    16 Vayathinile (transl. At Age 16; read as Pathinaaru Vayathinile) is a 1977 Indian Tamil-language romantic drama film co-written and directed by Bharathirajaa in his directorial debut. The film stars Kamal Haasan, Sridevi, and Rajinikanth, with Gandhimathi, Sathyajith and Goundamani in supporting roles. It focuses on the strengths and vulnerabilities of Mayil (Sridevi), a 16-year-old schoolgirl, and the challenges she faces and overcomes.

    The film was originally titled Mayil, and set to be funded by the National Film Development Corporation of India. When they backed out, it was picked up by S. A. Rajkannu who produced it under his banner Shri Amman Creations, and eventually retitled. 16 Vayathinile became the first Tamil film to be shot predominantly outdoors; Tamil films were primarily filmed in Madras studios. Its soundtrack album and background score were composed by Ilaiyaraaja, with cinematography by P. S. Nivas. P. Kalaimani wrote the film's dialogue. (Full article...)
  • Image 21 A postural yoga show in Kolkata, January 2012. Postures in the display include Chakrasana (front), Natarajasana (back), Rajakapotasana (middle row), and Padmasana (top). Postural yoga began in India as a variant of traditional yoga, which was a mainly meditational practice; it has spread across the world and returned to the Indian subcontinent in different forms. The ancient Yoga Sutras of Patanjali mention yoga postures, asanas, only briefly, as meditation seats. Medieval Haṭha yoga made use of a small number of asanas alongside other techniques such as pranayama, shatkarmas, and mudras, but it was despised and almost extinct by the start of the 20th century. At that time, the revival of postural yoga was at first driven by Indian nationalism. Advocates such as Yogendra and Kuvalayananda made yoga acceptable in the 1920s, treating it as a medical subject. From the 1930s, the "father of modern yoga" Krishnamacharya developed a vigorous postural yoga, influenced by gymnastics, with transitions (vinyasas) that allowed one pose to flow into the next. Krishnamacharya's pupils K. Pattabhi Jois and B. K. S. Iyengar brought yoga to the West and developed it further, founding their own schools and training yoga teachers. Once in the West, yoga quickly became mixed with other activities, becoming less spiritual and more energetic as well as commercial. (Full article...)
    A postural yoga show in Kolkata, January 2012. Postures in the display include Chakrasana (front), Natarajasana (back), Rajakapotasana (middle row), and Padmasana (top).

    Postural yoga began in India as a variant of traditional yoga, which was a mainly meditational practice; it has spread across the world and returned to the Indian subcontinent in different forms. The ancient Yoga Sutras of Patanjali mention yoga postures, asanas, only briefly, as meditation seats. Medieval Haṭha yoga made use of a small number of asanas alongside other techniques such as pranayama, shatkarmas, and mudras, but it was despised and almost extinct by the start of the 20th century. At that time, the revival of postural yoga was at first driven by Indian nationalism. Advocates such as Yogendra and Kuvalayananda made yoga acceptable in the 1920s, treating it as a medical subject. From the 1930s, the "father of modern yoga" Krishnamacharya developed a vigorous postural yoga, influenced by gymnastics, with transitions (vinyasas) that allowed one pose to flow into the next.

    Krishnamacharya's pupils K. Pattabhi Jois and B. K. S. Iyengar brought yoga to the West and developed it further, founding their own schools and training yoga teachers. Once in the West, yoga quickly became mixed with other activities, becoming less spiritual and more energetic as well as commercial. (Full article...)
  • Image 22 An Indian rhinoceros in Kaziranga National Park The Indian rhinoceros (Rhinoceros unicornis), also known as the greater one-horned rhinoceros, great Indian rhinoceros, or Indian rhino for short, is a rhinoceros species native to the Indian subcontinent. It is the second largest extant species of rhinoceros, with adult males weighing 2.07–2.2 tonnes and adult females 1.6 tonnes. The skin is thick and is grey-brown in colour with pinkish skin folds. They have a single horn on their snout that grows to a maximum of 57.2 cm (22.5 in). Their upper legs and shoulders are covered in wart-like bumps, and aside from the eyelashes, ear fringes and tail brush, Indian rhinoceroses are nearly hairless. The Indian rhinoceros is a largely solitary animal, only associating in the breeding season and when rearing calves. They are grazers, and their diet is mainly grass, but may also include twigs, leaves, branches, shrubs, flowers, fruits, and aquatic plants. Females give birth to a single calf after a gestation of 15.7 months; the birth interval is 34 to 51 months. Captive individuals can live up to 47 years. The Indian rhinoceros is susceptible to diseases such as anthrax, and those caused by parasites such as leeches, ticks, and nematodes. (Full article...)

    An Indian rhinoceros in Kaziranga National Park

    The Indian rhinoceros (Rhinoceros unicornis), also known as the greater one-horned rhinoceros, great Indian rhinoceros, or Indian rhino for short, is a rhinoceros species native to the Indian subcontinent. It is the second largest extant species of rhinoceros, with adult males weighing 2.07–2.2 tonnes and adult females 1.6 tonnes. The skin is thick and is grey-brown in colour with pinkish skin folds. They have a single horn on their snout that grows to a maximum of 57.2 cm (22.5 in). Their upper legs and shoulders are covered in wart-like bumps, and aside from the eyelashes, ear fringes and tail brush, Indian rhinoceroses are nearly hairless.

    The Indian rhinoceros is a largely solitary animal, only associating in the breeding season and when rearing calves. They are grazers, and their diet is mainly grass, but may also include twigs, leaves, branches, shrubs, flowers,
    fruits, and aquatic plants. Females give birth to a single calf after a gestation of 15.7 months; the birth interval is 34 to 51 months. Captive individuals can live up to 47 years. The Indian rhinoceros is susceptible to diseases such as anthrax, and those caused by parasites such as leeches, ticks, and nematodes. (Full article...)
  • Image 23 My Life in Orange: Growing Up with the Guru is an account of a child growing up in the Rajneesh movement led by Bhagwan Shree Rajneesh. The book is a firsthand account, written by Tim Guest at the age of 27, years after his experiences. The book was published in 2004 by Granta Books. The book's title is a reference to the term "the orange people", which was used to refer to members of the Rajneesh movement due to the color they dyed their clothes. Guest describes how his mother was initially raised in strict Catholicism, but later turned to a tape of Bhagwan Shree Rajneesh after going through a period of experimenting with sex and drugs. She dyed all of her clothes orange, took on the name of "Ma Prem Vismaya", and "Yogesh" for her son, and moved to a Rajneesh movement commune near Bombay. Guest's mother moved to many different communes, and had leadership roles within the movement, eventually running a commune in Suffolk. Guest recounts how he regretted the absence of his mother's presence during this time, and describes controversial living conditions with other children at the various ashrams. Guest and his mother moved to the 64,000-acre (260 km2) commune in Oregon, but his mother was demoted in position and sent to live at a different commune in Cologne. His family later disassociated from the Rajneesh movement and moved back to North London, where they each encountered difficulties reintegrating back into mainstream society. (Full article...)
    My Life in Orange: Growing Up with the Guru is an account of a child growing up in the Rajneesh movement led by Bhagwan Shree Rajneesh. The book is a firsthand account, written by Tim Guest at the age of 27, years after his experiences. The book was published in 2004 by Granta Books. The book's title is a reference to the term "the orange people", which was used to refer to members of the Rajneesh movement due to the color they dyed their clothes.

    Guest describes how his mother was initially raised in strict Catholicism, but later turned to a tape of Bhagwan Shree Rajneesh after going through a period of experimenting with sex and drugs. She dyed all of her clothes orange, took on the name of "Ma Prem Vismaya", and "Yogesh" for her son, and moved to a Rajneesh movement commune near Bombay. Guest's mother moved to many different communes, and had leadership roles within the movement, eventually running a commune in Suffolk. Guest recounts how he regretted the absence of his mother's presence during this time, and describes controversial living conditions with other children at the various ashrams. Guest and his mother moved to the 64,000-acre (260 km2) commune in Oregon, but his mother was demoted in position and sent to live at a different commune in Cologne. His family later disassociated from the Rajneesh movement and moved back to North London, where they each encountered difficulties reintegrating back into mainstream society. (Full article...)
  • Image 24 Maitreyi who lived during the later Vedic period in ancient India. She is mentioned in the Brihadaranyaka Upanishad as one of two wives of the Vedic sage Yajnavalkya; she is estimated to have lived around the 8th century BCE. In the Hindu epic Mahabharata and the Gṛhyasūtras, however, Maitreyi is described as an Advaita philosopher who never married. In ancient Sanskrit literature, she is known as a brahmavadini (an expounder of the Veda). Maitreyi appears in ancient Indian texts, such as in a dialogue where she explores the Hindu concept of Atman (soul or self) in a dialogue with Yajnavalkya in the Brihadaranyaka Upanishad. According to this dialogue, love is driven by a person's soul, and Maitreyi discusses the nature of Atman and Brahman and their unity, the core of Advaita philosophy. This Maitreyi-Yajnavalkya dialogue is the topic of Sureshvara's varttika, a commentary. (Full article...)
    Maitreyi who lived during the later Vedic period in ancient India. She is mentioned in the Brihadaranyaka Upanishad as one of two wives of the Vedic sage Yajnavalkya; she is estimated to have lived around the 8th century BCE. In the Hindu epic Mahabharata and the Gṛhyasūtras, however, Maitreyi is described as an Advaita philosopher who never married. In ancient Sanskrit literature, she is known as a brahmavadini (an expounder of the Veda).

    Maitreyi appears in ancient Indian texts, such as in a dialogue where she explores the Hindu concept of Atman (soul or self) in a dialogue with Yajnavalkya in the Brihadaranyaka Upanishad. According to this dialogue, love is driven by a person's soul, and Maitreyi discusses the nature of Atman and Brahman and their unity, the core of Advaita philosophy. This Maitreyi-Yajnavalkya dialogue is the topic of Sureshvara's varttika, a commentary. (Full article...)
  • Image 25 Protesters at India Gate in Delhi The 2012 Delhi gang rape and murder, commonly known as the Nirbhaya case, involved a rape and fatal assault that occurred on 16 December 2012 in Munirka, a neighbourhood in South Delhi. The incident took place when Jyoti Singh, a 22-year-old physiotherapy intern, was beaten, gang-raped, and tortured in a private bus in which she was travelling with her male friend, Avnindra Pratap Pandey. There were six others in the bus, including the driver, all of whom raped the woman and beat her friend. She was rushed to Safdarjung Hospital in Delhi for treatment and, as the public outrage mounted, the government had her transferred to Mount Elizabeth Hospital, Singapore eleven days after the assault, where she succumbed to her injuries two days later. The incident generated widespread national and international coverage and was widely condemned, both in India and abroad. Subsequently, public protests against the state and central governments for failing to provide adequate security for women took place in New Delhi, where thousands of protesters clashed with security forces. Similar protests took place in major cities throughout the country. Since Indian law does not allow the press to publish a rape victim's name, the victim was widely known as Nirbhaya, meaning "fearless", and her struggle and death became a symbol of women's resistance to rape around the world. All the accused were arrested and charged with sexual assault and murder. One of the accused, Ram Singh, died in police custody from possible suicide on 11 March 2013. According to some published reports and the police, Ram Singh hanged himself, but the defence lawyers and his family allege he was murdered. The rest of the accused went on trial in a fast-track court; the prosecution finished presenting its evidence on 8 July 2013. On 10 September 2013, the four adult defendants – Pawan Gupta, Vinay Sharma, Akshay Thakur and Mukesh Singh (Ram Singh's brother) – were found guilty of rape and murder and three days later were sentenced to death. In the death reference case and hearing appeals on 13 March 2014, Delhi High Court upheld the guilty verdict and the death sentences. On 18 December 2019, the Supreme Court of India rejected the final appeals of the condemned perpetrators of the attack. The four adult convicts were executed by hanging on 20 March 2020. The juvenile was convicted of rape and murder and given the maximum sentence of three years' imprisonment in a reform facility, as per the Juvenile Justice Act. (Full article...)

    Protesters at India Gate in Delhi

    The 2012 Delhi gang rape and murder, commonly known as the Nirbhaya case, involved a rape and fatal assault that occurred on 16 December 2012 in Munirka, a neighbourhood in South Delhi. The incident took place when Jyoti Singh, a 22-year-old physiotherapy intern, was beaten, gang-raped, and tortured in a private bus in which she was travelling with her male friend, Avnindra Pratap Pandey. There were six others in the bus, including the driver, all of whom raped the woman and beat her friend. She was rushed to Safdarjung Hospital in Delhi for treatment and, as the public outrage mounted, the government had her transferred to Mount Elizabeth Hospital, Singapore eleven days after the assault, where she succumbed to her injuries two days later. The incident generated widespread national and international coverage and was widely condemned, both in India and abroad. Subsequently, public protests against the state and central governments for failing to provide adequate security for women took place in New Delhi, where thousands of protesters clashed with security forces. Similar protests took place in major cities throughout the country. Since Indian law does not allow the press to publish a rape victim's name, the victim was widely known as Nirbhaya, meaning "fearless", and her struggle and death became a symbol of women's resistance to rape around the world.

    All the accused were arrested and charged with sexual assault and murder. One of the accused, Ram Singh, died in police custody from possible suicide on 11 March 2013. According to some published reports and the police, Ram Singh hanged himself, but the defence lawyers and his family allege he was murdered. The rest of the accused went on trial in a fast-track court; the prosecution finished presenting its evidence on 8 July 2013. On 10 September 2013, the four adult defendants – Pawan Gupta, Vinay Sharma, Akshay Thakur and Mukesh Singh (Ram Singh's brother) – were found guilty of rape and murder and three days later were sentenced to death. In the death reference case and hearing appeals on 13 March 2014, Delhi High Court upheld the guilty verdict and the death sentences. On 18 December 2019, the Supreme Court of India rejected the final appeals of the condemned perpetrators of the attack. The four adult convicts were executed by hanging on 20 March 2020. The juvenile was convicted of rape and murder and given the maximum sentence of three years' imprisonment in a reform facility, as per the Juvenile Justice Act. (Full article...)
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15 November 2024 –
Ten infants are killed and 16 others are injured in a fire inside a neonatal intensive care unit at the Jhansi Medical College hospital in Jhansi, Uttar Pradesh, North India. (AP)
13 November 2024 – 2024 Indo-Pakistani smog
New Delhi, India, reports its 15th consecutive day with a "very poor" recorded air quality index due to significant air pollution causing zero meter visibility smog. (The Hindu)
13 November 2024 – Bulldozer Justice
The Supreme Court of India rules that it is unconstitutional for the government to demolish property belonging to people suspected of crimes without a legal process, a practice common in states ruled by the Bharatiya Janata Party. (The Times of India) (DW)
4 November 2024 – 2024 Almora bus accident
At least 36 people are killed and 27 others are injured when a bus plunges into a gorge near Marchula, Uttarakhand, India. (The Indian Express) (ABC News)
3 November 2024 – Insurgency in Jammu and Kashmir
At least eleven people are injured in a grenade explosion caused by an unknown militant group in a flea market in Srinagar, Jammu and Kashmir, India. (Reuters)

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Timeline of Indian history, Indus Valley Civilisation, Dholavira, Science and technology in ancient India, Meluhha, Aryan invasion theory, Out of India theory, Greek conquests in India, Indian maritime history, Maurya Empire, Ashoka, Shunga Empire, Hoysala Empire, Vijayanagara, Satavahana dynasty, Indo-Greek Kingdom, Indo-Scythians, Indo-Parthian Kingdom, Kushan Empire, Western Satraps, Gupta Empire, Chola dynasty, Pala Empire, Islamic incursions in India, Mughal Empire, Maratha Empire, British Raj, East India Company, Governor-General, Viceroy, War of Independence, 1857, Indian independence movement, Indian National Army, Azad Hind, Quit India Movement, Partition of India, History of Republic of India, Non-Aligned Movement, Sino-Indian War, Indo-Pakistani War of 1947–1948, Indo-Pakistani War of 1965, Indo-Pakistani War of 1971, Kargil War, 2001–02 India–Pakistan standoff, Military, Demographic

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